Catalog (495)

Beautiful pre Viet Nam War woman’s sarong from the Stieng/Xtiêng ethnic group Vietnam. Semi antique/vintage over 50 years old, all hand spun and woven. The center red and black panel is quite striking. Some minor old repairs on the selvedge and the stitches holding the panels together have unraveled in a couple of places, but otherwise no tears, holes or stains. L 135cm/53in and W: 66cm/26in.

Lovely Cambodian lacquer betel box with decorative herring bone woven bamboo wall. Good condition, wear as to be expected with an old piece, but no damage. This was made Pre Khmer Rouge (before 1975). Although lacquer craft has been resurrected for decorative export pieces, artisanal made for domestic use are no longer produced due to its time consumption and the availability of cheap plastic. D: 23.5cm/9.2in and H: 9.8cm/4in.

Formal Indian Sari (just like the ones you see in Bollywood movies), worn for weddings or important religious occasions. This has never been worn. I acquired it from an estate where it has been sitting in a trunk for the past 20 years, and the inside humdity, which caused the brown dye to bleed into the embroidered border somewhat. Please examine images. This L: 5m x 1.4m and is handloomed silk. It was woven in Banaras in the two toned Tanchoi style and silver thread “jari” embroidery. In ...

Charming antique delicate and intricately carved gold lacquered panel depicting the opulent setting inside a rich person’s house at night. Please, note the three rats, the Rat in the Chinese Zodiac represents ”wisdom, wealth and prosperity”. L: 37cm/14/5in x W: 13.5cm/13.5in. Excellent condition- one minor flaw note in enlargements.

Good semi antique, Timor ikat textile (circa 1960’s) with two crisp “rooster” (which symbolizes masculinity) indigo and white bands running the length of the cloth. Excellent condition- no damage. Natural dyes and hand spun cotton threads. L: 194cm/76 (not including threads at the end) and W: 103cm/40.5in.

Fine three paneled wedding blanket from the Zhuang ethnic group, Southern China. W: 90cm/35.5in and L: 148cm/58in (with border W: 134cm/52in and L: 190cm/74in. Woven from all hand spun cotton and silk embroidery threads. Classic diamond and star pattern with “wanzi” swastika meander patterns on the border, also incorporated into this pattern are a few “Wang” characters (Chinese for king), which may be seen in the lower left side of the cover image. The black border and backing ...

Superb 3 paneled weaving from the Zhuang ethnic group in Guangxi Zhuang, Southern China. The body is woven from very fine handmade cotton thread while the weft supplementary embroidery is done with silk floss threads (the small blue indigo medallions are done with cotton). Quite a heavy piece because of all the embroidery. L: 161cm/63in and W: 100cm/39in.circa first half of the 20th century.

Unusual Miao embroidered central panel, of a wedding apron costume. There is a coiled dragon in the center with two phoenixes above- surrounded with longevity characters, anthropomorphic and zoomorphic figures. It has a tattered calendered silk black border silk weft embroidered all the threads are handspun. The orange dye has bled into the white field some, so please see enlargements. H: 61.5cm/24.2in x D: 33cm/13in. Circa early-mid 20th century

Fine old, three paneled, supplementary weft embroidered wedding blanket from the Zhuang ethnic group Guizhou Province China. Handspun and handwoven cotton thread foundation and silk for the embroidery. The central area is dominated by the “well” “#” pattern, while the border is a combination of the “well” pattern inside a “wanzi” swastika meander. There are few small faded areas but no holes or tears. W: 104cm/40in and L: 140cm/56in.

Lovely old Burmese lacquer box with a finely woven lattice work, insert lid (I assume to keep the flies off your “tiffin”) or used to sieve. Circa 60-90 years old, it is very thin and lightweight and the body is constructed of bamboo., I acquired this in a Pagan, lacquer shop about 20 years ago. Excellent original condition with minor lacquer loss at the bottom’s edge as to be expected from a genuinely old piece. D: 30.5cm/12in and H: 16cm/6.2in.

130.00 Beautiful circa 600CE to 700CE Pyu coins. The larger coin has a srivatsa (temple), on one side and celestial symbol and rising sun, on the other- 1/2 unit sterling quality silver. This coin has been punctured and at one time had small silver loop soldered to it. The smaller one, also pierced, has a bhadrapitha – pedestal for a deity and srivatsa, and is from Sri Ksetra. ¼ unit D: 8mm. These we acquired from Golden Triangle Hill Tribe who still these use these in their jewelry...

Good representation in the style of Lin Rongqian’s cursive calligraphy, as a Mandarin: Fu Lu/Cantonese: Fuk. This is a gift given to someone to congratulate them and wish them financial success in their career. This is a scroll mounted painted meant to be hung horizontally. There are small tabs in the upper side with which to do so. Mounted- L: 150cm/59in and W: 60cm/23in.

Unusual pottery bowl with hand molded snake handle. I cannot find any pieces similar in style to this although the reddish clay and heavy potting are reminiscent of Hongshan pottery. This came out of China and has a good petrichor and water absorption on the base, very old- at least 2000 to 3000 years old but probably older. W: 14cm/5.5in and H: 12cm/4.7in.

Lovely double gourd, Dehua porcelain small vase, circa late Qing or Republic Era.. Please note the third enlargement the surface appears to be smudged, this area originally had a handle that broke of and has been polished down. H: 11.3cm/4.4in and D: 6.8cm/2.9in. A simple well balanced elegant piece, suitable for a sing rose. Basic stand included.

Lovely Iban woman’s skirt from the Kapit region in Sarawak, circa 1940-1950. The broad center field is woven from handspun cotton and natural dyes. The red use in this is particularly rich. The narrow bands on the side are made of commercial thread and dye. This has a Bangit fruit pattern, which signifies “abundance”. There are a few minor frays and inevitable “pinholes”, but IMO the condition is good. L: 102cm/40in and W: 52cm/20.5in. Bought this about 20 years ago in Kuching. ...

Finely woven Iban women’s kain skirt, circa 1940 with “eye of the green pigeon” and bamboo pattern, from the Kapit area, Sarawak, Malaysia. Fine and tight weaves like this, indicate that owner was from a high status. There is one repair noted in enlargements. This ikat is made from all handspun and natural dyes while the colored bands are commercial thread. L: 115cm/42.5in and W: 57cm/22.5in.

Ming Dynasty ceramic wedding booth. Traditionally in China, a woman was carried in a covered wedding sedan chair by bearers accompanied by musicians. This piece has a detachable roof, replicating a draped cloth and is in good condition- only a few minor glaze frits. Would make an excellent display stand for a small Buddha. H: 35cm/13.8in and 12.5cm/4.8in.

Fine old wedding blanket from the Mulao ethnic group in Southern China. This has a classic floral, butterfly and phoenix weft embroidered pattern. Excellent condition with no damage- this is woven with all handspun cotton thread with some tiny bits of silk floss. The dyes are a combination of indigo and possibly aniline and organic mix in the red and orangeish colors. L: 100cm/39.5in and W: 72cm/28.2in - with border L:122cm/48in and W: 88cm/35in.