Catalog (495)

Semi antique, large woman’s sarong from the Stieng/Xtiêng ethic group Vietnam. Over 60 years old, this is woven from all handspun cotton threads. There is a patch, 7cm x 2cm fray on one edge and small 1cm hole. L: 203cm/79on39.8in and W: 94cm/37in.

Woman’s breast cloth from the Chin or Rakhine States, Myanmar- from the Khumi, Khami or Mro- Chin subgroup. Good condition- there is one tiny pin hole and a couple of stains. Circa 1950. L: 70cm/27.5in and W: 34cm/13.2in.

Women’s skirt from the Bahnar (Ba Na) ethnic group from the Central Highlands of Vietnam, woven from fine handspun cotton using all natural dyes. The weaving is very intricate and refined, note the use of narrow warp ikat bands throughout this piece. This is one single panel which would have used to make three other skirts. See last enlargement for a complete example. L: 2.9meter/9.5feet and W: 66cm/26in. I have two complete skirts- please contact if interested.

Ensemble of 3 old Chinese furniture maker’s planes. See text in last three enlargements for details,

Rare woman’s skirt (pukhang) from the Kachin/Jingpo ethnic group, Northeast Burma. This is two panels with supplementary weft trim on the ends made of dog hair. Mostly natural dye and indigo. It is quite a durable weave with denim like feel. There is some staining, one small hole as well as a bit of dye bleeding. I could only find examples this in “Textiles of the Hill Tribes of Burma”: Michael C. Howard (plate 107) and the Metropolitan Museum of Art: Accession Number: 2002.312...

Antique women’s shoulder cloth (hti paun) from the Mro or Khami subgroup of the Chin ethnic group. A very old piece circa 1920 to 1940. There are two small repaired holes, minor fraying edge along the selvedge and loss to fringe. L: 174cm/64.5in and W: 92cm/32in.

Large vintage “bush knife” from Lanna Thailand, this is an all purpose tool with a thick spine and very sharp edge- quite heavy as well. The blade is fixed with a steel collar and woven rattan and comes with a bamboo basket type sheath. Total L: 54cm/22.2in (blade L: 29cm/11.5in and handle L: 25cm/10.5in). This is an artisanal village made piece and not mass produced.

Song Dynasty Jun ware brush shaper or brushwasher. This was originally the base of flower vase which was later reworked into a scholar’s object. The brown clay indicates this was fired in Henan and in my opinion is representative of the kind that was acquired for the Imperial Qing collection rather then the more typical bowls and saucers. The top surface has more discoloration and minor scratches which indicates, that the repurposing was done some time ago. The book “Chun Ware�...

Beautiful black ovoid jar with some small russet speckles and streaks. This piece is in perfect condition with a near black glaze, from a Northern Kiln (most like Shanxi 山西 or Henan 河南), and dating to the Northern Song/Jin Dynasties. D: 14cm/5.5in and H: 10.5cm/4.1in.

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

Basket from Northern Burma probaby from the Rawang or other Kachin related group. . Approximately 50 or 60 years old. Increasingly difficult to source, this is a fine example of Burmese tribal basketry. Condition: good natural polished feel to the surface, a couple of “breaks” on upper rim of basket. The hole in the handle lid seems to intentional, as it has the same wear as the rest of the piece. Dimensions: 20cm/8in height 15.5cm/6.2in diameter.

Special Offer- Reduced from $1400 to $800. Stunning Northern Song black glazed jar with russet streaks in perfect original condition, from a Henan kiln. D: 10.3cm/4in and W: 6.8cm/2.7in. Stunning Northern Song black glazed jar with russet streaks in perfect original condition, from a Henan kiln. D: 10.3cm/4in and W: 6.8cm/2.7in.

Beautiful Miao woman’s apron with black calendered cotton cloth, and green commercial border, and fine silk embroidered center panel with hand woven silk embellished apron ties, from Guizhou. The colors in center panel are particularly luscious and I would date this piece 40 to 60 years of age. W: 40cm/15.8in and L: 43cm/17in. Free shipping Hong Kong Registered Airmail

Rare semi antique supplementary warp silk embroidery on handspun indigo cotton, blanket from the diverse Tai ethnic group Vietnam/Laos. I collected this in Chiang Mai around 15 years ago and would date it around 50 to 90 years old. Nowadays you just can’t find this sort of textile anymore. Some minor embroidery losses but overall in very good condition. Dimensions: 80cm/31.5in x 137cm/53in.

Good woman’s skirt panel or apron from a Yunnan ethnic minority, approximately 50 to 70 years old. All the elements in this piece are hand made, even the ribbon along the border which is often machine made (even in old pieces). The beads along the edge are made of seeds. This piece has some old repairs which I have noted in enlargements. The overall embroidered pattern is a combination of white cotton while the greens and reds are either silk or a cotton and silk blend. This was origin...

Billon jital coin from the last Shah of Kwarezm Kingdom 12o0CE -1220CE. Muhammad II of Khwarezm, having arrested/executed emissaries on two occasions from the Mongols, he brought the full force of Genghis Khan’s wrath on his realm and every city was razed to the ground“arguably the bloodiest massacre the world saw until the 20th century”. There is one split. Free shipping via Hong Registered Airmail. D: 14mm

Copper jital coin from the last Shah of Kwarezm Kingdom 12o0CE -1220CE. Muhammad II of Khwarezm, having arrested/executed emissaries on two occasions from the Mongols, he brought the full force of Genghis Khan’s wrath on his realm and every city was razed to the ground“arguably the bloodiest massacre the world saw until the 20th century”. Free shipping via Hong Registered Airmail. D: 19.8mm

Exceptionally rare early 20th century small, complete betel box with za-yun pattern, emulating English embroidery stitching. There are some cracks on the lacquer surface as well minor losses on the edge (especially on the inner box) all visible in enlargements. This is a specialist’s collector piece, for real lovers of Burmese lacquer. H: 8.4cm/3.3in and D:11.6cm/4.4in