Catalog (495)

Stunning mountains and forest landscape brush and ink scroll painting - H:101cm/39.8 in and W: 68cm/27.8in Mounted H: 215cm/7ft and W: 81cm/32in.Signed- Qian Songyan 錢松岩.

Rare green glazed grain crusher and mill and farmer from the Western Han Dynasty (206 BCE/9 C.E.). There is simple hard to see repair on the grain crusher and the farmer has been glued back together- please examine enlargements. Classic silver lead glazed patina. Farmer H: 10cm/4in. Grain shed: L: 14cm/5.5in x H: 6cm/2.4in and W: 9.8cm/3.9in.

Ming jar with blue underglaze chrysanthemum no damage but there are firing flaws in the glaze- please see enlargements. This was fired in Guangdong Province - locally, this type is referred to as a “gunpowder” jar although, I don’t know if this was it what it was really used for. H: 13.5cm/5.2in and D: 17.cm/6.8 in.

Ming jar with blue underglaze chrysanthemum pattern in good condition. This was fired in Guangdong Province - locally, this type is referred to as a “gunpowder” jar although, I don’t know if this was it what it was really used for. H: 14.5cm/5.8in and D: 16.5cm/6.5.5in.

Thai bronze head of the Buddha circa 16th to 17h CE. H: 17cm/6.8in and W: 11.5cm/4.2in. Provenance - ex. The Peter Elliott collection, sold by Mossgreen Auction, Australia September. 2015. Dimensions-H:17cm/6.8in and W:11.5cm/4.4in.

Quirky Han Dynasty pottery miniature grinding stone. This is a timeless design which has not changed in 2000 years. Good condition- no repair. D: 6cm/2.3in.

Eastern Han, circa 20- 225CE, pottery image of a drummer from Sichuan. Eastern Han pottery statues distinguish themselves from the rest of the Chinese Dynasties with their fluid movement and liveliness and the way the garment drapes on the body is very reminiscent of more Hellenistic sculpture. This image is kneeling with drums on his lap, please note 7th enlargement- there are traces of carbonized roots inside the cavity Excellent condition with no damage or repair. H: 23cm/9in.

Eastern Han Dynasty circa 20- 225CE image of a man leaning in, smiling with eyes closed as if intently listening to music. Eastern Han pottery statues distinguish themselves from the rest of the Chinese Dynasties with their fluid movement and liveliness. Excellent condition- no damage or repair. H: 21cm/8.2in and W: 18cm/7.5in.

Very rare potter image of a woman breastfeeding her child. This is the only one in this style I have ever seen. The woman is kneeling in heavily swaddled clothing-in her right hand she is holding her breast to feed her child that she is cradling in her left- a timeless image. H: 18.5cm/7.2in

Sublime early Ayutthaya Bronze circa 15th CE. H: 33cm/13in x W: 22cm/8.7in. Provenance- David Jones Gallery, London, c 1970, Shapiro Auction, Sidney, Australia June 29, 2021.

Pair of lovely light turquoise pastel blue Qingbai glazed jars with lotus leaf shaped lids circa 1200 CE, which would put them on the cusp of Southern Song/Yuan Dynasties. The lids have been restored- so please see enlargements, jars are in good condition with no damage. H: 16.5cm/6.5in and D: 12cm/4.8in.

Beautiful Eastern Han, circa 20- 225CE, pottery image of a dancer from Sichuan. Eastern Han pottery statues distinguish themselves from the rest of the Chinese Dynasties with their fluid movement and liveliness and the way the garment drapes on the body is very reminiscent of more Hellenistic sculpture. She has a lovely face with a trace of a smile as she puts lifts the hem of her script to put one foot forward. Excellent condition with no damage or repair. H: 25cm/9.8in.

Song Dynasty light green glazed stoneware bowl from a Fujian- Minnan or Putian kiln. This bowl has an elegant deeply incised abstract foliate pattern, and everted notched rim Good original condition- some kiln grit and a firing crack at the bottom of cavetto, has bell like tone when tapped. D: 17cm/6.8in and H: 6.5cm/2.8in.

This is a molded gray clay brick/tile from the Tang Dynasty, featuring an "Atlas" type Yakshi figure seated on a lotus blossom. I encountered a similar figure during my visit to Taxila, the cradle of the Gandharan Civilization, which highlights the Greco-Roman origins of Tang art. The lotus signifies a clear Buddhist connection. While the left side of the face is slightly obscured, there is no damage. This piece is unusual in that it is smaller than others I have owned. Dimensions:...

Unusual Ming Dynasty stoneware celadon glazed censer on a reddish clay body, possibly Longquan or an allied kiln, uncommon to see fine translucent craquelure on Longquan, though. Good condition- no cracks or damage just some bits of kiln grit adhering to the glaze surface. D: 11.5cm/4.5in and H: 5.5cm/2.1in

Hand painted brush and ink Chinese painting classically mounted on a scroll, depicting Bamboo and Rocks with apocryphal attribution to Zheng Xie鄭燮 This is a homage, painted in the 20th century, and is of an impressive size H: 165cm/64in and W: 68cm/24in. Mounted dimensions L: 2.4m/94in and W: 83cm/32.5in.

Delicate small porcelain Buddha with gilt glaze a beautiful expression on the face- produced in the 2nd half of the 20th century from Jingdezhen- there is an apocryphal Qianlong mark in seal script on the back, perfect condition! H: 9cm/3.5in and W: 5.5cm/2.in.

Sale Price- reduced from $800 to $500. Rare stoneware jar circa Southern Song or Jin Dynasties jar with soy brow glaze and russet and Jun type, phosphatic splashes. This is heavily potted with an applied dragon chasing a flaming pearl. The brown glaze has a subtle metallic iron oxide patina. It is usually assumed that the blue splashes are accidental (serendipitous) rather than intentional in these brown glazes. This piece is in perfect original condition, there are are a couple of small ungla...

Rare soy brown glazed stoneware vessel made in the shape of a grain silo. This basic style are well documented in Qingbai wares but this is the first I have seen in a brown glaze, also it has a fence going around the base which is quite unusual. It is in excellent condition with no repairs, cracks or fritting of the glaze and it is unusually large. H: 24cm/9.5in and D: 18cm/7in. It reminds me a lot of a Jizhou glaze but this seems heavier and more stable.

Sino Tibetan Tara image, she is worshipped as a Buddha in Vajrayana Buddhism and Bodhisattva in Mahayana, fundamentally she represents the feminine nature of Buddhism. She is seated in lalitasana with hands in varada- and vitarkamudra, with downcast eyes beneath a tiered crown fronting a tall chignon, wearing a dhoti, elaborate jewelry and long scarf. This is a lost wax bronze cast image copy of a Ming piece from the 20th century. The face is absolutely gorgeous. An original one would...

Classic celadon Yueyao glazed bowl from Zhejiang, 5 Dynasties period, circa 907 to 979CE. Unglazed circle at the bottom of the cavetto is where another bowl was stacked while being fired. There are couple of very small firing hairlines and tiny chips on the rim, otherwise good condition for an 1100 year old ceramic. D: 15cm/5.9in and H: 5.8cm/2.2in.

Very fine and rare unusually small Tang image of a Court Eunuch, excellent condition with complete original pigments. Lovely feminine face (similar to the classic Tang “Fat Lady”) with calm and dignified expression. H: 17cm/6.8in.

Six Tang Dynasty miniature tomb figures of Chinese noblewoman Heights are 6cm-10cm. Please see notes in enlargements for actual size and condition. These were collected from different sites and represent an eclectic collection. Also note last image for all six images together.

Good porcelain quality Qingbai bowl from Jingdezhen with classic sea green colored glaze and sugar like clay body. There is an internal firing hairline crack noted midway in the cavetto noted in enlargements- still has a clear bell like tone when tapped. . There are remnants of an original metal rim fused on the mouth rim. D: 16cm/6.2in and H: 5.9cm/2.2in.

Special offer: 4 Tang Dynasty terra cotta statues, all have had repair i.e. heads glued back on- (two are not the original heads). The amber glazed figure has the original sanca glaze though not very shiny. Dimensions note in enlargement text.

Rare early “si zhi” (four straight lines) style inkstone carved from an old fired brick. The characters on the brick are in an archaic style, no longer in use today. The square shaped flat bottomed inkstone with sloping grinding surface did not become popular until the Song Dynasty, so it is possible this was made into a inkstone long after it was a brick. Chinese are very fond of creating ink stones out of “found objects” such as roof tiles etc. Please examine enlargement for ...

Unusual pottery bowl with hand molded snake handle. This came out of China and has a good petrichor and water absorption on the base, circa 2000-1000BCE. 14cm/5.5in and H: 12cm/4.7in.

Very rare antique lacquer box from the Southern Shan States circa late 19th CE to early 20th CE. This a complete set (which is rare in itself these days). The pattern though simple is exquisitely detailed. I have not seen this pattern documented anywhere and I have a few of this type all acquired in China in Yunnan, so I am wondering if it is possible it was made by the ethnic Shan (Daizu) living there. Some craquelure on the surface, as is expected and few minor chips at the bot...

Rare men’s loin cloth from the Northern Chin, Haka group Burma. Mantle of Merit: Barbara Fraser has a good write up on these, and has a couple of pieces dating to late 19th to early 20th century, she also writes these were rarely used after 1950 circa first half 20th century. The two end panels are different colors of which the lighter blue colored is original while the darker piece.. Made from hand spun cotton with silk patterns. A few small holes, the worst being noted in enlargeme...

Lovely two handled pottery jar from the Northern China circa (2200 BCE – 1600 BCE), Classic Qijia Period in near perfect condition with just a couple of minor chips on one handle. H: 12.9cm/5.1in and W: 11.8cm/4.7in.

Good late Joseon Dynasty, 19th century stoneware cup/bowl with high footrim and pale greenish gray glaze and gray stoneware , this is a simple regional folk ware but has a pleasing almost celadon feel to it that needs to be held to be appreciated. There is some kiln grit in the cavetto as well as three minor hairline stress cracks. H: 8.7cm/3.5in and D: 13.1cm//5.2in.

Mid 20th century textile from the Mulao ethnic group Guangxi Zhuang Autonomous Province. This is a two paneled blanket with original border and supplementary weft silk embroidered pattern phoenix and flowers on a cotton field “key fret” pattern- all handspun threads. Good condition - no holes or missing embroidery threads. L: 110cm/43in and W: 66cm/cm/26in- with blue cotton border L: 153cm/59in and W: 110cm/43on.

Good representation in the style of Lin Rongqian’s cursive calligraphy, as a Mandarin: Fu Lu/Cantonese: Fuk. This is a gift given to someone to congratulate them and wish them financial success in their career. This is a scroll mounted painted meant to be hung horizontally. There are small tabs in the upper side with which to do so. Mounted- L: 150cm/59in and W: 60cm/23in.

Three rare quartzite beads, carved in the shape of elephants. These were acquired in Burma about 40 years ago by Bucklee Bell contributor to the Peter Francis Bead Project dating circa 900CE or earlier. Please note scale is metric in last enlargement. Free shipping.

Unusual, late Ayutthaya or Early Rattanakosin Period Thailand Buddha head. The bronze has been cast with quite light bronze and the ears are made from copper strips and lacquered over. The face is quite atypical with Chinese characterisics, possibly a regional style. Please examine enlargements for condition. H: 22cm/8.7in (with stand 31cm).

Very fine circa 1300-1400CE, Cizhou type lugged jar with thick iron brown and black glaze. Very beautiful piece in excellent condition (some original kiln flaws tiny frits , bubble burst etc). H: 10.8cm/4.2in and D: 14cm/5.5in.

Rare Tang Dynasty glazed saucer from the Gongxian kiln Henan, China. This has bell like tone when tapped. There is a repaired chip on the rim (noted in enlargements) tiny fritting on glaze. D: 13.2cm/5.4in and H: 2.3cm/0.7in. Looks like the moon.

Hardwood vintage sculpture of an African ancestor image, from the Songye ethnic group, Democratic Republic of the Congo. Old piece, circa 1960s or 1970s a couple of cracks and repairs.. H: 45 cm/17.8in.

Delightful Qing Dynasty café au lait glazed water dropper in the shape of a fish in a basket, it is quite heavy for its size and the brown glaze has a strong metallic patina possibly emulating bronze. Most likely from a Southern Kiln, in perfect condtion! D: 5.7cm/2.2in and H: 7.2cm/2.8in.

Beautiful women’s apron style skirt from the Bahnar (Ba Na) ethnic group, Central Highlands of Vietnam. Woven from fine handspun cotton using all indigo and natural dyes. The weaving is very intricate and refined, note the use of narrow warp ikat bands throughout this piece. This piece is has small tear at the corner (see last enlargement) and a couple of frays but otherwise excellent condition and dates to 1960 to 1970. The center panel is stitched loosely at the top as it was mea...

Free Shipping: Fine and rare Longquan classic celadon bottle with an unusual shape- like a truncated meiping. The depth of the glaze achieves the ideal “jade like” quality that is much sought after by celadon collectors. The Ming attribution is conservative based on the inward beveling on the footrim and reddish slip visible on the glazed edge, but Yuan or Song cannot be completely ruled out. Excellent original condition, there are chips on the footrim edge that were caused when this was...

Gray pottery censor on a stemmed saucer with pierced cover in the shape of a mountain, Western Han Dynasty- (202 BC – 9 AD). Excellent condition- no chips, cracks etc. H: 26cm/10in and base D: 19.5cm/7.8in.

Rare and unusual 3 paneled piled blanket from the Rawang ethnic group, Kachin State, Burma. The ground is woven from hemp, the reddish head ends are dog hair .There are a few areas that have a bright colored commercial yarn but other than that, all natural dyes. In the red field there are some bits of missing weft noted in enlargements. This piece is circa 1950 (+/-), definitely old an old piece. The Rawang are a tiny upland group, numbering only 65,000, living in some of the most remote...

Collection of Thai Bronze Age aventurine jewelry pieces, from the Lopburi Culture, circa 500BCE, Central Thailand. 1#: Long rectangular bead, good transparency, damaged on one end and the lengthwise hole only goes from the undamaged end to the second hole. L: 6.6cm/2.6in and W: 7mm/.3in x 5mm/.2in. 2#: Fine small aventurine bangle from early Thai Bronze Age Culture circa 500 BCE . This item is slightly flattened at the bottom but in perfect original condition. Outer D: 6.2cm/2.4i...

Ming Dynasty nephrite jade button carved in the shape of chrysanthemum (see enlargement for reference), this was meant to be sewn on to hat or clothing as a brooch, D: 4cm and 7mm thick 28 grams, a few “ant bite” sized tiny chips, but otherwise good condition. Included are two “bi” (perforated discs). The large one is D: 4.7cm and 9mm thick, it appears to have been artificially stressed and is mid 20th century, the smaller one is carved in the Han Dynasty style and may be possibly of...

Lao, continuous supplementary weft “kit” woven festival banner. This is created from all handspun silk and natural dyes. I acquired in Vientiane, Laos in 2010, and this is highest quality of this type of weave available. Included is simple hand carved “elephant” textile hanger. An exceptional home décor accent piece. Please note I put a grain of rice in the last enlargement to highlight the detail of this work. L: 186cm/73in and W: 18cm/7in.

Fine and unusual gray pottery jar with a band of animals circling the upper part. The animals are carved in exceptional detail. This piece is in perfect condition and the potting is particularly refined for an artifact from this era. The surface has a fast water absorption rate and classic petrichor odor associated with ancient pottery. H: 16cm/6.2in and D: 18.5cm/7.2in.

Pair of wood block prints by Niu Wen Yue, Weifang Shandong, Painting and Calligraphy Academy circa 1960 to 1970. Capturing the feeling of the seasons, the first one is titled Spring Song- depicting a somewhat bucolic and optimistic view of rural socialist life and the second is Night Wind- bringing in the laundry before the rain hits. W: 25.5cm/10in and H: 21.5cm/8.8cm. There is one corner tear and some creases on both which are back on light cardboard. Free shipping via Hong Kong Reg...

A pair of circa 20th century, good Indonesian keris knives. Both blades are hand forged iron with very sharp edges and tropical wood handles and hilt cups. The sheaths are copper alloy with intricate patterns. The blade with the gold dragon motif is referred to as the Nogo style and is quite thin, and the second one has a beautiful “pamor”- the striations are called “blarak sineret” style- like someone dragged a palm leaf across the surface. Although there is no breakage on the...

Good Cizhou type black glazed bowl with russet highlights throughout, circa Jin Dynasty circa 1115-1234CE. Excellent condition- no chips or cracks- typical iron oxide paraffin patina. D: 16cm/6.3in and H: 7cm/2.8in. Please note a very similar piece sold at Christie’s July/24/2020 from the FROM THE LINYUSHANREN COLLECTION lot# 57. for $9,375.USD.

Late Qing Dynasty “minyao” (household ware) porcelain bowl with a lovely light green celadon glaze and subtle russet treatment to the rim. Very good condition i.e., no cracks or chips. The shopmark inside the footrim is in seal script and is undecipherable. D: 17.5cm/6.9in and H: 6cm/2.5in. The original owners name is stippled in the cavetto as was the custom of the period.

Lovely traditional brush and ink painting of a lady This is signed DENG FEN 鄧芬, but is probably a later copy of his work. Apocryphally dated 1943 this was hand done in the later part of the 20th century. Backed on mounted on silk paper total dimensions are 100cm/39.5cm x 40cm/15.8in.

Unusual and rare early brown glazed Qing Moon Bottle circa 18th century, most likely from the Cau Ma shipwreck- there are small mineral adhesions on the surface indicating that this item was either submerged or buried (please note this may be cleaned off). It is in perfect condition with “paraffin patina”and uncommon “garlic head”. H: 20.6cm/8in and W:13.5cm/5.3in.

Four well carved jade charms- the cicada is Burmese jadeite, the nephrite melon and fish have russet surface highlights and the tiger is particularly nice- carved in the Ming style. Scales are in enlargements. Total weight is 31 grams.

Unusual oval copper box with incised patterns depicting Dutch trading and historical scenes and classic Chinese “dragons chasing a flaming pearl”. This is circa 17th/18th century. The hinge and lock are later 19th century Chinese additions. Very good condition- no dents or scratches, there is a bit missing on the locking mechanism but still works- noted in last enlargement. L: 11cm/4.3in, W: 8.5cm/3.4in and H: 3.5cm/1.4in

Strand of Yuan to Ming Dynasty glass trade beads excavated from the Tak Hilltop burial site along the Thai Burmese border. Because 14th/16th CE ceramics found the same strata it is easy to date these beads being from no later than this period, although archaic jade and crystal items over a thousand years old were found as well, these were most likely ancient trade items that have been circulating for over a millennia. Scale is in enlargements. For the exception of some roughly ...

Rare “kiln waster” possibly from the Qingliangsi Kiln, Baofeng, Henan- see reference in last enlargement. D: 11.8cm/4.7in and H: 4cm/1.6in. Very shiny black glaze. There is one star crack on the side as well as “slag” adhesions on the rim. Please examine enlargements.

Fine pair of black temmoku bowls with russet rims and traces of silver leaf patterns. Both are in excellent condition. D: 9.1cm x H: 3.9cm. Suitable for tea ceremonies. These are about 90% correct for being of the Song period, but the lack of excavation traces and inside the foot rim being to level and flat throws doubt on this, also the patterns are usually seen on Wuyi Shan Kiln pieces and not in Jianyang.

Full set of 24 prints- published in 1972. Hardcover. Condition: Fair. Hardcover. Folio. Mc-Graw Hill Book Comapny, New York. 1972. 56 pgs, followed by 24 plates. Parts adapted from the author's previous books of 1940, 1943, and 1947. Plates printed in Switzerland. The box is broken and the leaves are coming off the spine. The prints are in good condition and suitable for framing. A treatise on calligraphy and painting of the Ten Bamboo Studio, including discussion of Chinese writing and i...

Fine Sri Lankan silver and smoky quartz crystal bracelet, it is hinged with a pin lock- please see enlargements. Perfect condition, from the workshops in Kandy and acquired from the very cool Mr. Waruna Jayashinghe, owner of the Samadhi Center- Nature Resort. Total weigh 44grams. Inner dimensions 58mm x 50mm.