Catalog (495)

Rare complete lacquer tobacco box with trays from the Karen hilltribe ethnic group Northern Thailand. Next to nothing has written about this craft amongst the Karen people although they are known for their water tight baskets using lacquer to seal the weave. H: 9.5cm/3.8in and D: 8.6cm/3.3in.

Fine and rare old Yao/Mien all hand spun and woven cotton wedding veil with silk thread embroidered geometrical design, circa 50 years old. This piece is from Kim Mien group and was originally collected in Northern Laos. The colors on this piece are subtle and restrained (please note the use of shades of brown and blue in enlargements) and the brown and white tassels. Except for a couple of tiny holes this piece is in excellent condition. W: 47cm/18.5in and L: 75cm/29.5in.

Rare semi antique supplementary warp silk embroidery on handspun indigo cotton, blanket from the diverse Tai ethnic group Vietnam/Laos. I collected this in Chiang Mai around 12 years ago and would date it around 40 to 80 years old. Nowadays you just can’t find this sort of textile anymore. Some embroidery losses and a hole along the edge (noted in enlargements) but overall in very good condition. Dimensions: 84cm/33in x 145cm/57in.

Genuine antique Shan lacquer box circa late 19thCE. Most Burmese lacquer being offered on the internet purported to be antique are vintage at best and new at worst. I acquired this in Yunnan, China along the Burmese border but of Shan (nationality in China). Although there is some damage the craftsmanship is exquisite which is why I put a grain of sand in a couple of the images to put the work into perspective. Personally I prefer Shan lacquer more than Burmese because the designs tend to b...

Good bronze coin from the Yapahuwa Kingdom, King Buwanekabahu reign circa 1273-1285 CE, Sri Lanka. Cool coin, sort of looks like one of those artifacts proving that we have been visited by aliens. Free shipping via unregistered Hong Kong Airmail in an envelope.

Original psychedelic painting by Bucklee Bell titled “Purple Haze”- acrylic on canvas, 40 x 50cm. 2008. Inspired by a Jimi Hendrix song with the same name and something else I'd rather not discuss. About the Artist: Bucklee Bell was born and raised in the state of Florida, USA. His first awareness of personally meaningful art was discovering the works of Surrealists, in particular Salvador Dali, Max Ernst, Man Ray and Yves Tanguy. In 1966 he moved to San Francisco, Califo...

Original psychedelic painting by Bucklee Bell titled “Hung Up”- acrylic on canvas, 40 x 40cm. 2007. About the Artist: Bucklee Bell was born and raised in the state of Florida, USA. His first awareness of personally meaningful art was discovering the works of Surrealists, in particular Salvador Dali, Max Ernst, Man Ray and Yves Tanguy. In 1966 he moved to San Francisco, California and from 1967-1970 was involved in the Underground Comix movement in San Francisco and Berkeley, Califo...

Quirky glass ring emulating agate. This piece came from China but possibly is a trade object. I acquired this in a lot of other ancient pieces. A conservative dating to this is Qing Dynasty (1644-1911) and guarantees it to this period. There is one crack as well as some bubble burst pitting on the surface. Outer D: 2.8cm and inner D: 1.9cm.

Fine and rare five paneled skirt, from the Meifu subgroup of the Li people Hainan Island, circa mid 20th century. These kinds of textiles are unique among Chinese minority weavings as they combine supplementary weft brocade and tie dye ikat techniques. The colored threads in the brocaded panel are a combination of cotton, and polyester while the rest of the skirt is hand spun cotton and indigo in an abstract and zoomorphic design- pulled apart at the seam on top, no rips or holes. W: 132cm/5...

Fine and rare four paneled skirt, from the Meifu subgroup of the Li people Hainan Island, circa mid 20th century. These kinds of textiles are unique among Chinese minority weavings as they combine supplementary weft brocade and tie dye ikat techniques. The colored threads in the brocaded panel are a combination of silk, cotton, and polyester while the rest of the skirt is hand spun cotton and indigo in an abstract and zoomorphic design. There is one negligible small hole. W: 111cm/ 43in and ...

Elegant ebony wood carving of a Balinese beauty circa 1960 to 1970- possibly older. This was obviously created for the tourist market and panders to the Western ideal of the female form of the time. I traveled to Bali in the 80s and 90s and found their arts and crafts leaning more to the impressionist side, where figures looked like the Navi from Avatar. Given its hardness and cost, ebony is usually only given to master craftsman to carve from. I tried digging into the bottom with my trusty...

Fine old Cambodian lacquered woven bamboo betel box. No damage or restoration other than natural wear, as to be expected. Any lacquer coming from Southeast Asia with no signs of use is a strong indicator that its new. Circa 60 to 90 years old. D: 21.5cm/8.5in and H: 9cm/3.5in

"Stairway to Heaven #2" by Lau Yan Tsun. Mixed media; acrylic paint, Chinese paper mounted on canvas. 1.1 meter x 1.1 meter. Artist's Brief: Lau Yan Tsun is a self-taught painter. His interest in fine arts emerged while studing visual Arts in Toronto, Canada during 1970's. Returning to Hong Kong in 1983, he worked in various types of visual media. He took up calligraphy in 1989 and this led him more exclusively into painting. Lau has tra...

Fine and rare two paneled silk embroidered “wedding blanket” from the small Maonan minority people of northern Guangxi Zhuang Province. This piece is 60 to 90 years old with a hand spun cotton foundation and hand spun silk. The frontal surface of the blanket is decorated with embroidered floral and phoenix symbols and key fret pattern highlighted by “floating weft” threads. The Maonan number just a little over 100,000 souls and are closely related to the Zhuang who are probab...

Old Chin skirt, circa 1950, from the Khumi subgroup in Burma. The design is called “amtosa” although deceptively simple is really extremely complex; please note in enlargements that the reverse side of this textile does not show any of the pattern on the front. This is made on a backstrap loom of very fine homespun cotton with a beaded open work border along the selvedge. Three small repaired holes. L: 1.8m/6ft and W: 40.5cm/16in.